Belonging in the Woods: Familiar Flora and Phantom Frequencies
Publication information:
Abstract
Step into a secret sonic space where leaves whisper forgotten sacred songs and, deep below the earth, roots twist and dance to their own mysterious music. This new performance of live-coded sound and light explores my family history’s intersections with witchcraft, esotericism, superstition, and working-class struggle. The work features divinatory trance music derived from the plants of the rural Michigan woods where I grew up, synchronized light art inspired by sacred geometry, and wearable sculptures and instruments made from endangered American carnivorous plants. I consider these plants as not just materials, but also collaborators and audiences.
Presenter Biography
Eric Millikin, a descendant of Salem Witch Trial victims, uses carnivorous plants, occult rituals, and live coding for alchemical societal transformation. From a working-class family, he grew up in a mobile home in rural Michigan’s dark woods. He is Assistant Professor of Visual Art at University of Maryland, Baltimore County.