Susan Wenger (Adunni Olorisa): Artistic Practice and the Politics of Appropriation in Yoruba Eco-Spirituality
Publication information:
Abstract
This presentation examines the artistic career of Susan Wenger (Adunni Olorisa), a European artist who emerged as a significant figure in Yoruba eco-spirituality. Through a critical analysis of Wenger's fusion of traditional Yoruba artistic elements with modernist aesthetics, this paper explores the complex interplay between cultural exchange and appropriation. Utilizing postcolonial theory and eco-criticism, this presentation assesses the power dynamics present in Wenger's appropriation of Yoruba cultural practices, considering the ethical implications of her artistic choices and their impact on the representation of Yoruba identity.
Presenter Biography
Binta Moustapha is an emerging researcher and educator specializing in environmental sustainability development practices. With extensive experience working with women and youth in West Africa, she has made significant contributions to climate action projects and waste-to-wealth initiatives. Binta aspires to integrate green religious initiatives from her home country of Nigeria into mainstream academia through publications and projects. She is passionate about advancing knowledge and fostering collaboration within the academic community.